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The Process

All sculptures are made from one piece of wood or root. Redwood root, with it's natural large size and form has been used for several sculptures. Other varieties of wood include; Walnut, Boxwood, Acacia, Cypress and Fir.( See: Tree Types)

The process of completing a large wood sculpture takes very long time. Much energy and time are put into every piece. The process evolves by working with the wood. Every piece of wood has its own character, whether it is a attractive burl or a hidden flaw. While spurts of furious work and passionate ideas come and go, dedication and patience are key to a successful piece.

The general idea of a sculpture is thought out after viewing and evaluating the piece of wood. Does it tell me anything about itself? Are there any natural forms that say, "Hey, I'm a bird or a wave or a mountain". If nothing jumps out at me I will start roughing out any parts of the piece that I feel do not belong. I may put a hole or two into the wood to create space and forms, this is done primarily with roots or pieces with a natural shape other than a round log. If I am working with a log shaped piece, I will draw a sketch of an idea or review past sketches. Roughing out will consist in using various gouges/chisels. As the forms are uncovered, a new sketch may be drawn up.

A sculpture should be carved properly, using sharp tools, regardless of its style. It can remain in its carved state or brought to a smooth surface to enhance the sculptures flowing movements and show the detail of the woods grain, which is often my choice. When doing so it is crucial to not to destroy the volume of each surface created in the carving process. This can be achieved by the careful use of rasps or files and hand sanding. I have finished the sculptures with either white shellac or an oil finish followed by wax.